Wednesday, April 29, 2015

themusicaddict's 40 Greatest and Best Songs of U2 Part 3: 12-1

Hello,

Here's a cool video someone put together of the concert that never happened. This is over 2 hours of music if you just want to push play and relax. Enjoy:


Without further adieu, here's U2's Top 12 songs according to me. Comments, compliments and complaints always requested and encouraged. In the parenthesis is the rankings of the song on the scale from 1 to 10 and the CD the song comes from.

12) "Vertigo" (10, "How To Dismantle An Atomic Bomb"):


11) "One" (10, "Achtung Baby"):


10) "New Year's Day" (10, "War"):


"New Year's Day" (Live):


9) "With or Without You" (10, "The Joshua Tree"):


8) "Elevation" (10, "All That You Can't Leave Behind)":


7) "Red Hill Mining Town" (10, "The Joshua Tree")


6) "Desire" (10, "Rattle and Hum"):


Band Introductions, "Desire" (Live):


5) "Pride (10, "In The Name of Love)":


4) "Hold Me, Thrill Me, Kiss Me, Kill Me" (10, "Batman Forever" Soundtrack):


"Hold Me, Thrill Me, Kiss Me, Kill Me" (Live):


3) "Until The End of The World" (10, "Achtung Baby"):



2) "Bullet The Blue Sky" (10, "The Joshua Tree"/ "Rattle and Hum"):



1) "Sunday Bloody Sunday" (10, "War"):



From "Red Rocks", audio of U2's very famous concert:



What Rolling Stone says about this CD:

"A live recording that features real danger. When U2 played Red Rocks Amphitheatre outside Denver on June 5, 1983, the weather was so terrible that less than half the sold out crowd showed up, and both opening acts (the Alarm and Divinyls) canceled over safety concerns. That did nothing to deter U2 and especially Bono. In 2004, guitarist The Edge told Rolling Stone that Bono "scared the shit out of me" by climbing a lighting rig to wave a white flag during "The Electric Co.," coming close to live wires. But the real lightning came from this live album, concert film and the fog-shrouded "Sunday Bloody Sunday" music video. Even though most of Under a Blood Red Sky's album tracks came from shows in Boston and Germany, the Red Rocks visuals stand as U2's last moment of young, ragged glory before mega-stardom set in. "It was a benchmark," said Adam Clayton. "We could say now: 'Right, we've got to a point where we're contenders. We're at the starting gate." David Menconi

Read more: http://www.rollingstone.com/music/lists/50-greatest-live-albums-of-all-time-20150429#ixzz3YlnTv4kr

themusicaddict

Tuesday, April 28, 2015

themusicaddict's 40 Greatest and Best Songs of U2 Part 2: 27-13

Hello,

Because I'm anal and like to figure out these sort of things, I figured out which CD these songs came from. I stuck with the original CD which the song came from.

"Rattle and Hum": 9 songs
"Achtung Baby": 7 songs
"All That You Can't Leave Behind": 7
"The Joshua Tree": 4
"War": 3
"Pop": 2
"Unforgettable Fire": 2
"How To Dismantle An Atomic Bomb": 2
"Batman Forever" Soundtrack: 1
"Boy": 1
"Best of 1980-1990": 1
"No Line On The Horizon": 1
"October": 0
"Zooropa": 0
"Songs of Innocence": 0

Without further adieu, part 2 of my Top 40 U2 songs. Enjoy. Again the number in the parenthesis is my rating on a scale from 1 to 10 and the CD each song comes from.

27) "Beautiful Day" (8, "All That You Can't Leave Behind"):


26) "I Will Follow" From their historic Red Rocks performance (8, "Boy"):


25) "The Fly" (8, "Achtung Baby"):


"The Fly" (Live In Boston):


24) "Angel of Harlem" (8.5, "Rattle and Hum"):



23) "Discotheque" (8.5, "Pop"):



22) "Trip Through Your Wires" (8.5, "The Joshua Tree"):



21) "Where The Streets Have No Name" (9, "The Joshua Tree"):



20) "Walk On" (9, "All That You Can't Leave Behind"):



19) "Helter Skelter" (9, "Rattle and Hum"):



18) "When Love Comes To Town" (featuring B.B. King) (9, "Rattle and Hum"):



"When Love Comes To Town (Non "Rattle and Hum" Version)":



17) "Mysterious Ways" (9, "Achtung Baby"):



16) "Silver and Gold" (9.5, "Rattle and Hum"):



15) "Two Hearts Beat As One" (9.5, "War"):



14) "Even Better Than The Real Thing" (10, "Achtung Baby"):



"Even Better Than The Real Thing" (Live):



13) "Kite" (10, "All That You Can't Leave Behind"):



"Kite" (lyrics video) I love the lyrics of this song.


themusicaddict

Monday, April 27, 2015

themusicaddict's 40 Greatest and Best Songs of U2 Part 1: 40-28

Hello,

I spent way more time on this than I should have, but it's now complete. Over the course of 3 blogs I'm going to countdown what I think U2's Top 40 songs of all-time. Comments from people agreeing and disagreeing with me, as always, are welcome. Number in parenthesis is my grade for that song on a scale from 1-10. As it was all those years ago with Bo Derek, 10s are the best. Also in parenthesis the CD each song came from.

40) "Who's Gonna Ride Your Wild Horses" (6, "Achtung Baby"):


39) "Love Rescue Me" (6):


38) "God, Part 2" (6.5, "Rattle and Hum"):


37) "Gone" (6.5, "Pop")


36) "I'll Go Crazy If I Don't Go Crazy Tonight": (6.5, "No Line On The Horizon"):


35) "Acrobat" (6.5, "Achtung Baby"):



34) "The Sweetest Thing" (7, "Best of 1980-1990"):



33) "Stuck In A Moment You Can't Get Out Of" (7, "All That You Can't Leave Behind"):



32) "In A Little While" (7, "All That You Can't Leave Behind"):



31) "New York" (7.5, "All That You Can't Leave Behind")



30) "All I Want Is You" (8, "Rattle and Hum"):


29) "All Because of You" (8, "How To Dismantle An Atomic Bomb"):



28) "Bad" (Live at Live Aid) (8, "Unforgettable Fire"):


themusicaddict

Sunday, April 26, 2015

Rock and Roll Scripture Chase Johnny Cash, Bob Marley, U2 and The Hooters? (Updated May 9th, 2015)

Hello,

These are songs that directly quote Bible verses or refer to religious topics. I'm not including songs like Soundgarden's "Jesus Christ Pose" or Elton John's "Levon", although it mentions a Jesus. These are songs that feel in touch with religious belief by a variety of beliefs.

U2's "Pride (In The Name of Love)":


This song references Jesus, Judas Iscariot and Martin Luther King. I think Martin Luther King would have been perfectly comfortable as an Old Testament prophet. As for the line "One man betrayed with a kiss". 

Thirty pieces of silver was the price for which Judas Iscariot betrayed Jesus, according to an account in Matthew 26:49 in the New Testament. Before the Last Supper, Judas is said to have gone to the chief priests and agreed to hand over Jesus in exchange for 30 silver coins, and to have returned the money afterwards, filled with remorse. (Judas identified Jesus with a kiss to the soldiers that came to get the Savior. Ultimately Judas committed suicide.) (Copied, pasted and adapted from Wikipedia.)

"Pride (In The Name Of Love)"

One man come in the name of love
One man come and go
One man come, he to justify
One man to overthrow

In the name of love
What more in the name of love
In the name of love
What more in the name of love

One man caught on a barbed wire fence
One man he resist
One man washed on an empty beach.
One man betrayed with a kiss

In the name of love
What more in the name of love
In the name of love
What more in the name of love

(nobody like you...)

Early morning, April 4
Shot rings out in the Memphis sky
Free at last, they took your life
They could not take your pride

In the name of love
What more in the name of love
In the name of love
What more in the name of love
In the name of love
What more in the name of love...

U2's "Until The End of The World":


Judas Iscariot from Matthew, Mark, Luke and John in the New Testament

"Until The End Of The World"
Haven't seen you in quite a while
I was down the hold just passing time
Last time we met was a low-lit room
We were as close together as a bride and groom
We ate the food, we drank the wine
Everybody having a good time
Except you
You were talking about the end of the world

I took the money
I spiked your drink
You miss too much these days if you stop to think
You lead me on with those innocent eyes
You know I love the element of surprise
In the garden I was playing the tart
I kissed your lips and broke your heart
You...you were acting like it was
The end of the world

(Love...love...)

In my dream I was drowning my sorrows
But my sorrows, they learned to swim
Surrounding me, going down on me
Spilling over the brim
Waves of regret and waves of joy
I reached out for the one I tried to destroy
You...you said you'd wait
'til the end of the world

Joan Osborne "One of Us":


If God had a face, what would it look like?
And would you want to see
If seeing meant that you would have to believe
In things like Heaven and in Jesus and the saints
And all the prophets? And...

From Daniel 1-3 come Shadrach, Meschach and Abednego in this Wanderers song:


James Taylor's "Fire and Rain":


Won't you look down upon me, Jesus, You've got to help me make a stand.
You've just got to see me through another day.
My body's aching and my time is at hand and I won't make it any other way.
Oh, I've seen fire and I've seen rain. I've seen sunny days that I thought would never end.
I've seen lonely times when I could not find a friend, but I always thought that I'd see you again.

Johnny Cash "Were You There (When They Crucified My Lord):


Cat Stevens "Jesus":


Def Leppard's "Women":



Paraphrased lyrics from Genesis for "Women":

In the beginning
God made the land
Then He made the water and creatures, then He made man

Stevie Wonder "Higher Ground":



Till I reach my highest ground 
No one's gonna bring me down 
Oh no 
Till I reach my highest ground 
Don't let nobody bring you down (they'll sho 'nuff try) 
God is gonna show you higher ground 
He's the only friend you have around 

Byrds "Turn Turn Turn":


The verses from Ecclesiastes 3: 1-8 are paraphrased for the song "Turn Turn Turn":

For everything there is a season, a time for every activity under heaven. 
A time to be born and a time to die. A time to plant and a time to harvest.A time to kill and a time to heal. A time to tear down and a time to build up. A time to cry and a time to laugh. A time to grieve and a time to dance. A time to scatter stones and a time to gather stones.A time to embrace and a time to turn away.A time to search and a time to quit searching. A time to keep and a time to throw away. 

A time to tear and a time to mend. A time to be quiet and a time to speak. A time to love and a time to hate. A time for war and a time for peace 



Judy Collins with the Boys Choir of Harlem "Amazing Grace":






  1. Amazing grace! How sweet the sound
    That saved a wretch like me!
    I once was lost, but now am found;
    Was blind, but now I see.
  2. ’Twas grace that taught my heart to fear,
    And grace my fears relieved;
    How precious did that grace appear
    The hour I first believed.
  3. Through many dangers, toils and snares,
    I have already come;
    ’Tis grace hath brought me safe thus far,
    And grace will lead me home.
  4. The Lord has promised good to me,
    His Word my hope secures;
    He will my Shield and Portion be,
    As long as life endures.


Hooters "All You Zombies":


Holy Moses met the Pharaoh
Yeah, he tried to set him straight
Looked him in the eye, let my people go
Holy Moses on a mountain
High above the golden calf
Went to get the Ten Commandments
Yeah, he's just gonna break them in half
All you zombies hide your faces
All you people in the street
All you sittin' in high places
The pieces gonna fall on you
No one ever spoke to Noah
They all laughed at him instead
Working on his ark, working all by himself
Only Noah saw it coming
Forty days and forty nights
Took his sons and daughters with him
Yeah, they were the Israelites
All you zombies hide your faces
All you people in the street
All you sittin' in high places
The rain's gonna fall on you

Three more songs loosely related to religion and spirituality:

The Script's "If You Could See Me Now":


The Eurythmics "Missionary Man":


And this one is a real stretch Madonna's "Like A Prayer":


Lauryn Hill's "Forgive Them Father":


Bob Marley and the Wailers "Exodus":


Bob Marley and the Wailers "Redemption Song":


The start of "Feels So Different"  O'Connor quotes The Serenity Prayer,


Johnny Cash's "God's Gonna Cut You Down":


Johnny Cash's "The Man Comes Around":


Parenthesis in the lyrics are my comments. All scriptures quoted come from the King James Version of the Bible.

And I heard, as it were, the noise of thunder:
One of the four beasts saying: "Come and see." And I saw.
And behold, a white horse. (Paraphrased from Revelations 6: 1-2"):

There's a man goin' 'round takin' names.
An' he decides who to free and who to blame.
Everybody won't be treated all the same.
There'll be a golden ladder reaching down.
When the man comes around.

The hairs on your arm will stand up.
At the terror in each sip and in each sup.
For you partake of that last offered cup,
Or disappear into the potter's ground. 
(Judas was buried in the Potter's field.)
When the man comes around.

Hear the trumpets, hear the pipers.
One hundred million angels singin'.
Multitudes are marching to the big kettle drum.
Voices callin', voices cryin'.
Some are born an' some are dyin'.
It's Alpha's and Omega's Kingdom come.

And the whirlwind is in the thorn tree.
The virgins are all trimming their wicks.
The whirlwind is in the thorn tree.
It's hard for thee to kick against the pricks.

Till Armageddon, no Shalam, no Shalom.
(Armageddon is located in Syria. Armageddon is a great and final battle happening 
at the second coming of the Lord.)
Then the father hen will call his chickens home.
The wise men will bow down before the throne.
And at his feet they'll cast their golden crown.
When the man comes around.

Whoever is unjust, let him be unjust still.
Whoever is righteous, let him be righteous still.
Whoever is filthy, let him be filthy still.
Listen to the words long written down, When the man comes around.

Hear the trumpets, hear the pipers.
One hundred million angels singin'.
Multitudes are marchin' to the big kettle drum.
Voices callin', voices cryin'.
Some are born an' some are dyin'.
It's Alpha's and Omega's Kingdom come.
(Revelations 22:13: "I am Alpha and Omega, the beginning and the end, the first and the last.)

And the whirlwind is in the thorn tree.
The virgins are all trimming their wicks.
(This refers to Jesus' parable of the ten virgins.)
The whirlwind is in the thorn tree.
It's hard for thee to kick against the pricks. (Referring to Paul.)

In measured hundredweight and penny pound.
When the man comes around.

And I heard a voice in the midst of the four beasts,
And I looked and behold: a pale horse.
And his name, that sat on him, was Death.
And Hell followed with him.
(More imagery paraphrased from Revelations)

Norman Greenbaum's "Spirit In The Sky":



Never been a sinner I never sinned
I got a friend in Jesus
So you know that when I die
He's gonna set me up with
The spirit in the sky
Oh set me up with the spirit in the sky
That's where I'm gonna go when I die
When I die and they lay me to rest
I'm gonna go to the place that's the best
Go to the place that's the best
 
themusicaddict

Friday, April 24, 2015

themusicaddict's Great Cover Songs Part 2

Hello,

Thanks to theguardian.com for some of the cover song ideas.

First up a couple of a covers by the amazing Adele:

First up her cover of the sang by Billy Joel/ written by Bob Dylan classic "To Make You Feel My Love":


Believe me Adele's cover of The SteelDrivers' "If It Hadn't Been For Love" is a lot better than their version. But I'm so glad they wrote this song. :


Gary Jules' very mellow cover of Tears For Fears "Mad World":


I really wasn't going for a theme here, but here's another Tears For Fears cover. This is Dead on TV's very rocking version of "Pale Shelter":


This song is so much better than it has any right to be. This is a song taken from the Andrew Lloyd Webber play "Jesus Christ Superstar". "Heaven On Their Minds":


This is one of the very few performances I remember from "American Idol". This song is from one of Webber's lesser known plays "Starlight Express". Syesha Mercado's cover of "One Rock and Roll Too Many":


The Fugees excellent take on Roberta Flack's "Killing Me Softly":



Lauryn Hill made the right decision when she left The Fugees', too bad she hasn't released more solo music. "The Miseducation of Lauryn Hill" is brilliant, this is one of the many highlights off that CD. This is her cover of Frankie Valli's "Can't Take My Eyes Off Of You":


From the 80's vampire classic "The Lost Boys": Echo and the Bunnymen's cover of The Doors "People Are Strange":


Billy Idol's cover of "L.A. Woman":


The White Stripes cover of Son House's "Death Letter Blues":


Now here's Joss Stone's cover of The White Stripes "Fell In Love With A Girl", she changed the title slightly:


The Red Hot Chili Pepper's cover of the Mr. Stevie Wonder's "Higher Ground":



One of my favorite covers of all-time, RHCP's take on The Ohio Players "Love Rollercoaster":



This is a cover I just stumbled across today, the Pepper's take on David Bowie "Suffragette City":


themusicaddict

Thursday, April 23, 2015

themusicaddict's Fantastic Fourteen More Discovered, Rediscovered Songs Part 7 + Upcoming Blogs

Hello,

Upcoming blogs: Last May I compiled a list of the Top 100 +2 songs on my iTunes, near the end of May 2015 I'll be posting an updated Top 100 songs. From looking at the original list the other day, it looks like not a whole lot has changed.

These blogs will be coming sooner than later. Greatest Songs of All-Time for Rod Stewart, R.E.M., Lifehouse, Yellowcard, The Ataris, Black Eyed Peas, Three Days Grace and others.

These blogs will be coming later than sooner. Book reviews: Molly Guptil Manning's "When Books Went To War: The Stories That Helped Us Win World War 2", Ted Richardson's "Imposters of Patriotism" and Gabrielle Zevin's "The Storied Life of A.J. Fikry".

Around the end of July my review of the Motley Crue farewell concert from will be posted. I'm looking forward to that.

Finally sometime around December 18th, 2015 will be my review of "Star Wars: The Force Awakens":
(this preview has been seen over 43 million times already, not bad as it's only been out a few days)


Yeah, I'm a little excited and I'll be going with two of my kids (the two kids who don't think they are too cool to see it).

Then a blog I probably spend about at least a hour per day, my Greatest Songs of All-Time blog. I've collected several thousands songs so far, but still have a lot more songs to add. If I ever really do finish that blog it's probably still over a year away. Anyone can look at it though, it's just a collection of song titles and some videos. At this point I still do plan on finishing it.

Here's some great songs I've discovered or rediscovered over the last couple of weeks. First up is Beth Hart, she just released the new CD "Better Than Home". Sadly it's nowhere as good as her 2013 CD "Bang Bang Boom Boom", which featured "The Ugliest House On The Block":


Bonus Beth Hart song, this was probably most people's introduction to Miss Hart "L.A. Song":


Two from A Taste of Honey:
"Boogie Oogie Oogie":


One of the most beautiful ballads of all-time. "Sukiyaki":


The Four Season's "December, 1963 (Oh What A Night)":



Flight of the Conchords "Inner City Pressure": (No, this really isn't The Pet Shop Boys.)



Passenger's "Let Her Go":



This is from the 80's second greatest soundtrack, "Pretty In Pink". "Purple Rain" is not only the greatest 80's soundtrack, it just may be the greatest CD ever. Anyway Nik Kershaw's "Wouldn't It Be Good" (song starts at about the 20 second mark):



Gene Pitney's "The Man Who Shot Liberty Valance":



The Royal Philharmonic Concert Orchestra "Hawaii Five-O":



Walk The Moon's "Anna Sun":



Do you ever get the feeling that Sebastian Bach isn't the sharpest knife in the drawer? Skid Row's "Big Guns":



Pearl Jam's "Glorified G":



Veragroove's "Broken Glass":



Lou Bega's "Mambo No. 5 (A Little Bit of ...)":


themusicaddict

Tuesday, April 21, 2015

themusicaddict's Randomly Selected Greatest Dance Tracks

Hello,

After my last blog, here are some of the greatest dance songs ever. Let's start with a few words from the the lovely Miss Jackson:


A collection of 42 dance/ pop songs from the 80's:


Other great dance songs, starting with one of the all-time best dance songs, C+C Music Factory's "Gonna Make You Sweat (Everybody Dance Now)": (A shout out to Martha Wash for those amazing vocals.)


Snap's "The Power":


Snap's "Rhythm Is A Dancer":


Black Box's "Strike It Up":


Black Box's "Ride On Time":


Bobby Brown's "Every Little Step":


Technotronic "Get Up":



Real McCoy's "Another Night":



Usher's "DJ Got Us Fallin' In Love":



Roxette's "Joyride":



Maroon 5 (featuring Christina Aguilera) "Moves Like Jagger":



MC Hammer's "U Can't Touch This":



The Black Eyed Peas' "Let's Get It Started":



"The Black Eyed Peas "Rock Your Body":



Rihanna "Don't Stop The Music":



Donna Summer's "Last Dance":



Earth, Wind and Fire's "September":



Madonna "Into The Groove":



B-52's "Rock Lobster":


themusicaddict

The Morally Deprived World of Showtime's "The Affair" & What a Dumb Ending (Spoilers alert) (Updated April 23rd, 2015

Hello,

Note: I realize "The Affair" is fictional, I'm using these characters lives as an example of the possible things that can happen to those without some kind of a moral code. After having a moral code the next most important thing is actually living it. I have thought a lot about this blog the last several days and will probably revisit it from time to time. I'm not very eloquent, but I can make each of my blogs better. This blog entry is a long way from what I want it to be, but I'm not sure how to get it where I want it to be.

Recently I binged the Showtime series "The Affair". It started out strongly, but faded over the last couple of episodes. There's some amazing storytelling, especially with Cole and Alison (Ruth Wilson) dealing with the death of their son Gabriel. Some truly impressive storytelling and acting. Even after it being several days since watching this series, that's the storyline that still sticks with me.

Despite some great storytelling I was distressed by the show's complete lack of morals. First of all the overuse of the f-bomb with specific reference to the intimate act. Using the f-bomb as a verb and with the focus more on the actual act rather than actual intimacy. Sometimes the f-bomb has a place, it was used to great effect in "Bloodline". But like anything else it loses it's power when overused.

In the moral dumpster fire of "The Affair" sex usually tears apart rather than build up. There's a lot of sex happening, but hardly any intimacy. Usually the sex just fills a temporary hole, temporarily satisfy's a desire. But the hole only grows larger. Each conquest only builds the desire for the next conquest. Especially with the man who claims he's trying to "do the right thing" Mr. Noah Solloway. With the dissolution of his marriage and in an unsure place with Alison, Noah seduces anything he can.

It seems being engaged or separated doesn't mean anything. Noah is Id personified, he's only concerned about his own desires. He says one thing, but his actions indicate what he's really about.

Also the extended sex scenes are too much. Honestly the least interesting thing about "The Affair" was the affair. Especially because the sex they had was very ugly- but later I realized that might the point? I find it interesting that Noah and Alison actually end up together at the end of Season 1. That's not usually what happens.

The characters of "The Affair" are the most unhappy/ miserable people. Even the people that seem to have it all, don't. Example: Bruce Butler is a famous author, but has a contentious relationship with his family. His life is a facade. Who do you cheer for in this show? These people do any thing to make a buck or satisfy a desire. They don't have a moral code, more like an immoral code. Ironically the selfish things they do ends up making them emptier.

The only character I like after Season 1 is Cole Lockhart (Joshua Jackson). At first I thought I was going to dislike him. As with everyone else in the cast he made a bunch of dumb decisions, but he seemed to have some moral fiber. Although misguided most of the time, he truly seemed to be trying to do the right thing. Whereas I thought Noah Solloway would be the most likable character, he claimed to live by a moral code.

Alison cutting herself. I don't even know how to consider that. Another attempt of gaining relief, but it only makes things worse in the long run. These people act like their choices don't have consequences.

How often do two people who have an affair actually end up together for an extended duration? And once you cheat with someone, how do you know that person won't cheat on you? Why would you trust that person ever? How could you trust that person ever? Wouldn't you wonder what that person is doing every second they aren't with you?  Again the focus is on sex, not on intimacy.

As for the show it should have been so much better. I wondered if the constant and extended sex scenes was a sign of lack of ideas. Because truly each time a sex scene was on TV, it completely slowed down the show. The audience can know that two people had sex with seeing graphic scenes of it.

And that last scene of Detective Jeffries coming to arrest Solloway. Jeffries based the decision to arrest Solloway on the turning radius of Solloway's car? I'm not sure what Solloway lying about not being at The End indicated that he was guilty of murder. Does anyone not understand him assaulting the man that slept with his underage daughter.

Back to the having a moral code and living by it. In my experience it's been very important to have a moral code. On the other hand I don't want to come off as a complete prude. But I do think one of this world's greatest downfalls is having a lack of morals. Religion should help us with morals, sadly it doesn't all the time though. Sometimes people use their religion to justify truly horrendous acts.

We all have desires, temptations and the like. But I also believe we have a sense of what is truly right and wrong. Some people call it a conscience, the light of Christ, intuition etc. No matter what you call it  I believe we are all born with that. However many of us have lost that by some truly horrible decisions. The good news is through a lot of hard work, I believe any of us can get that guidance back.

One of the greatest things about getting older is the ability to wait, sometimes the waiting will save us from mistakes that we'll have a hard time recovering from. The old saying "Fools rush in where angels fear to tread." is a good standard to live by.

This is a music blog, not a morality blog and I'm not trying to preach to you. Sometimes I don't know where to draw the line in mentioning morals. But if a character is amoral or stupid, that does lessen my enjoyment of whatever the entertainment is. I don't always know where to draw that line. And yes I acknowledge up front that makes me a hypocrite, but it is what it is. As with Supreme Court Justice Potter Stewart's famous comment "I know it when I see it", for things that cross that proverbial line I know it when I see it.

Two examples of this: 1) Liz Phair's song "H.W.C.", it's needlessly descriptive. Although it's a decent song, I won't be adding it to my Greatest Songs of All-Time blog. The sexually graphic lyrics make it no longer a Greatest Song of All-Time.

Another example is "Basic Instinct", a movie so debased that I couldn't even watch the whole thing. I wouldn't even say that movie has any artistic value. Not only is the movie amoral, but it's just a bad movie all around.

I hate so much when creative people resort to lowest common denominator storytelling. Not only is it frustrating, but I also suggest it's lazy. As with our lives, and creative endeavors, we should try to be better.

themusicaddict

Sunday, April 19, 2015

themusicaddict's Best of Madonna 1994-1997

Hello,

From the mediocre movie "With Honors" is the great song "I'll Remember":


Released on October 25th, 1994 was "Bedtime Stories":

"Survival":



"Survival" (Remix):



"Secret":



"Secret": (Live)



"Human Nature" (Live):



"Forbidden Love":



"Take A Bow":


Released on November 3rd, 1995 was "Something To Remember", this is essentially a greatest hits collection of her more mellow song. But it also has some new material on it.

"You'll See": ( Some people think that Madonna can't sing. To them I say "shut up".)



"One More Chance":



"Love Don't Live Here Anymore":



Seal's cover of "Love Don't Live Here Anymore":


Then in 1996 the movie and soundtrack of "Evita" was released. Obviously these aren't "Madonna" songs per se. However since she sings them here and she does a great job I'm including them. As with most Broadway soundtracks each song has multiple singers. I'll give credit to those artists as well. The "Evita" soundtrack was released on November 12th, 1996.

"Eva and Magaldi/ Eva Beware of the City" (featuring Jimmy Nail and Antonio Banderas):



"Buenos Aires":



"Another Suitcase In Another Hall": ("Don't Cry For Me Argentina" gets a lot of love, but this is an incredibly powerful song as well. Made even more powerful by Madonna's interpretation.)



"Goodnight and Thank You" (featuring Antonio Banderas):



"I'd Be Surprisingly Good For You" (featuring Jonathan Pryce):



"Hello and Goodbye" (featuring Jonathan Pryce, Andrea Corr):



"Peron's Latest Flame" (featuring Antonio Banderas and a chorus):


"A New Argentina" (featuring Jonathan Pryce)




"Art Of The Possible" (featuring Jimmy Nail, Jonathan Pryce and Antonio Banderas):



"Don't Cry For Me Argentina":



"High Flying, Adored" (featuring Antonio Banderas):



"Rainbow High":



Now there are many other great songs on "Evita" that don't feature Madonna.
"The Lady's Got Potential": (Antonio Banderas)


Rainbow Tour" (Antonio Banderas, Gary Brooker, Peter Polycarpou)":



"And The Money Kept Rolling In (And Out) (Antonio Banderas):


themusicaddict

Saturday, April 18, 2015

themusicaddict's Best of Madonna 1990-1993

Hello,

I'm not going to lie, I love Madonna. Due to inspiration from hearing "Papa Don't Preach" on my morning walk, I decided to post a Madonna blog today. With her new CD "Rebel Heart" out recently she has been on my mind more than usual. But I quickly ruled out blogging about her 80's songs, I'm sure there have been a billion blogs written about her 80's music. Then I thought to myself her 90's phase would probably be a nice tidy blog, that was until I started researching that decade. Also I'm sure there have been only millions of blogs written about her 90's discography. As I usually do this blog is her greatest songs, not just her greatest hits, from 1990-1993.

I'm starting with one song from the amazing "Like A Prayer", plus songs from 1990's "I'm Breathless", 1991's "Immaculate Collection" and 1992's "Erotica" I quickly realized how many songs that would be. That's a total of 18 songs during that very fertile part of Madonna's career. That fertile word takes on a double meaning with some of the lyrics from "Erotica".

For some of these songs I went when the actual single was released, if different than when the actual CD was released. Thanks to Wikipedia for the basic information so that I could write this blog.

The CD "Like A Prayer" was released in 1989, but this song was released as a single in 1990. "Keep It Together":


"Keep It Together" 12 inch mix:


Released on May 22nd, 1990 was "I'm Breathless: Music From and Inspired By The Film Dick Tracy"

"Hanky Panky":


"I'm Going Bananas":


"Something To Remember":


"Back In Business":


"More":


"Now I'm Following You" (Parts 1 & 2):



"Now I'm Following You" 2011 remix from VJdustin:



"Vogue":



"Vogue" live at the 1990 MTV Music Awards: Madonna and her influence has out lasted MTV and their influence. With a Madonna live performance it felt like any thing was possible, it felt dangerous. MTV used to feel like that too, now they just seem lame. MTV needs to change it's name to RTV: Reality Television. If it wasn't for "Catfish", I would never think about MTV. It's sad how far they've fallen.


Released on November 9th, 1990, these are the two new songs from "The Immaculate Collection":

"Justify My Love":



"Justify My Love" (Live):



"Rescue Me":


Released on June 16th, 1992 was "This Used To Be My Playground", a stand alone song from the movie "A League Of Their Own". What an amazing and powerful song:


Released on October 20th 1991 was "Erotica":

"Erotica":



"Fever":



"Deeper and Deeper":



"Waiting":



The VJdustin remix of "Waiting":



"Thief of Hearts":



"Rain":


Here's a preview from the next Madonna blog, whenever that will be released. The next blog will probably be from 1994-1997 as that will feature several songs from "Evita".

This is 1994's "Take A Bow", I love how good her voice sounds here. But whose dumb idea was it to have Babyface as a glorified backup singer? I realize it was suppose to help both of their careers, but then why wasn't Babyface given more to do or maybe sing another song? Madonna is still around, whatever happened to Babyface?


themusicaddict

Friday, April 17, 2015

themusicaddict's Review of Terry Hayes "I Am Pilgrim" (Small spoilers)

Hello,

At about 625 pages, this book is at least 100 pages too long. It should have had a more thorough editing process, it just repeats itself over and over and over again. There has been a lot of praise for this book, but it seems just as much hatred. This seems to be one of those books that people either love or hate. I believe I'm one of those who's right in the middle. Some of the descriptive language is amazing- check out it's Pinterest page. But again it repeats itself way too much and runs on way too long.

This is my review for "I Am Pilgrim", which was released on May 27th, 2014. I had the ability to read the book before publication. However I got busy and just wasn't able to get into it. I just barely finished reading this book now. Thanks to NetGalley.com and also the publisher, Atria Books, for the free access.

A mysterious narrator, Eddy, (adopted name: Scott Murdoch or Brodie) who worked for the ultra secret American government agency called The Division. For ease of this review I'm just going to refer to the protagonist and narrator of this book as Eddy. After Eddy left the Division, he wrote a book under a different false identity about some of his more challenging criminal cases. He didn't write the book for fame or money, he just wanted to share some of his expertise. Unfortunately writing this book didn't exactly work out like he expected.

In this book Eddy also went by the names Scott Murdoch, Jude Garret (name of the author on the book Eddy wrote), Brodie Wilson (name used while in Turkey), Richard Gibson, Ramon (a name that Ben mockingly called him) and finally Michael John Spitz (the name used in the trap to catch the Saracen.

Eddy's life has been anything but easy, his Dad walked out on him before he was born, never to be seen again. His mother was murdered in their apartment just off Eight Mile road in Detroit. He then washed up with adoptive parents Bill and Grace Murdoch. Bill was great to him, although he didn't recognize it at the time. And the less said about Grace the better.

He was recruited out of college by people saying they represented the Rand Corporation. After passing an evaluation, he found out who he was really working for, the Division. Again I love the insightful language in this book. Eddy talking about why The Division would consider him: "I was a perfect candidate for the secret world. I was smart, I had always been a loner, and I was damaged deep in my soul." Following that Eddy had 4 years of training with The Division. (Although the book goes on way too long, some of the imagery is fantastic.)

His first major assignment was killing his boss, a senior US intelligence officer, who was about to sell names of valuable Russian informers to the KGB's successor, the FSB. Again more great descriptive language about killing his boss, "a vicious wind howling out of the steppes, hot, carrying with it a stench of betrayal."

After undergoing a thorough interrogation regarding killing his own boss, he then was named to replace his boss. At age 29 he was named the youngest Rider of the Blue in Division history. The Rider of the Blue runs the section of The Division out of London.

Eddy left The Division after the tragic events of 9/11, he was in Geneva on that fateful day. Haunted by the memory of an earlier mission to Thailand where Eddy had met a Buddhist monk. The monk related to him about how the local villagers catch a monkey. The monk explains the villagers set a vase "They fill the bottom with nuts and whatever else monkeys like to eat." In the night the monkey climbs out of the tree and slips his hand through the long neck of the vase. The monk continues "He grabs the sweets and his hand makes a fist. That means it's too big to get back up the narrow neck and he's trapped." The next day the villagers hit the monkey in the head.

The monk explains the story saying "It's a Zen story, of course"... "The point is- if you want to be free all you have to do is to let go." That memory came back to him at the age of 32 and he knew he wanted something more than working in the secret world. To leave some kind of reminder of his past, Eddy wrote a book. Based on his past cases, it's about "modern investigative techniques".

Ben Bradley, a long time acquaintance of the narrator, who knows that Eddy has a certain level of expertise. Bradley is a true American patriot and a hero of 9/11. Eddy refers to Bradley as "one person with genuine natural authority". Bradley jokingly refers to the narrator (Eddy) as Ramon, which is a jibe.

The female killer, who used Eddys's book, to help her in killing a prostitute in a seedy hotel. This female killer was early 20s, about five-eight, a great body and someone that changed appearance a lot. She dressed up as Marilyn Monroe, Marilyn Manson and many other celebrities. It was a well trained woman that killed "Eleanor". The unknown killer had a library card, she only checked out one book. That book being Eddy's book, written under the pen name Jude Garrett. Eddy realized she had used the book to kill her victim.

The female killer was headed to work on 9/11 when the first plane hit the first building. Since she was late to work she realized people would think that she had arrived and died in the attacks. She took that as the perfect time to disappear, live off the grid at the Eastside Inn.

He also writes about the seedy hotel room where we first see the handy work of our assassin. He talks about this hotel as a "walk-up in New York- thread bare curtains, cheap furniture, a table loaded with tina (crystal meth) and other party drugs." That becomes her modus operandi throughout the book.

Eddy refers to the woman who was killed as "Eleanor", based on a line from the Beatles song "Eleanor Rigby". When Eleanor was killed, her killer put her in an acid bath that ate off her face. So Eddy calls her Eleanor because of this lyric: "Waits at the window, wearing the face that she keeps in a jar by the door."

The female killer and the Saracen were allies. The main enemy in this book that Eddy was tasked to stop is known as Saracen The Saracen's real name was Zakari al-Nassouri, he was a boy that was radicalized and had to witness his own father's execution. The Saracen joined a mosque that was a cell of the Muslim Brotherhood. He later fought and was a hero in the Afghanistan war. Over one million people died, but the Saracen didn't.

The Saracen had a mentor Abdul Mohammad Khan, who was a vicious person. He buried two people who had betrayed him in cement. That was placed in a prominent place so that people would remember not to betray Khan. Khan later provided him his three test subjects for the small pox experiment.

The Saracen was a patient man, waiting for better opportunities that would lead to much destruction someday. He killed Bashar Tass in Syria, he was the deputy director of the Syrian Insitute for Advanced Medicine. Tass was killed more because of his weight than anything else, The Saracen needed someone near his weight so he could fool the buildings security system.

The Saracen practiced how to kill people with a weaponized strain of smallpox. It was built to beat a vaccine and kill as many Americans as possible. The Saracen tried out the vicious strain on three innocents, including a pregnant woman. After those 3 people died a miserable death, the Saracen burned the structure down.

Three helicopters with twenty Australian military landed in the deserted village where the smallpox experiment had been held. The Saracen barely escaped with his life. Pete Keating was the man of the hour here, Keating almost came closest to catching The Saracen. He injured his hip in his escape. This encounter was the only time "the Saracen was ever seen by either civilian or military authorities. Until I met him of course."

Some of the powerful imagery used by Hayes in "I Am Pilgrim": "Red Square with a hot wind howling across, my mother's bedroom on the wrong side of Eight Mile... a man waiting to kill me in a group of ruins known as the Theater of Death."

 From Pinterest 'T. E. Lawrence – Lawrence of Arabia – knew something about that part of the world and the nature of men. He said that the dreamers of the day were dangerous people – they tried to live their dreams to make them come true.'

Read more here: https://www.pinterest.com/whatshalliread/i-am-pilgrim/

The President of the USA is James Grosvenor. A widower for 7 years, a businessman for nearly all his working life. Other characters of note the Dodges, whose murder was used as an excuse for Brodie Wilson (Eddy) to find out more about the Saracen. Ingrid Kohl, one of the names of the mysterious female narrator. The Whisperer, the right hand man of President Grosvenor, and contact of Eddy while he was in the field in Bodrum.

I give this book a grade of because of C-. Some of the writing was so fantastic and we really got the sense for the goodness of Eddy, he really was trying to do the right thing. As much as I admired him, there was just too much superfluous details clogging up the story. The two biggest things that hurt this book is it's desperate need of further editing and how it never seemed to end.

themusicaddict

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